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These come in a few varieties, which can meet the needs of even the most demanding schedules Multiple Start Dates: Other online colleges offer programs with up to six start dates annually, or around every two months, with accelerated seven or eight week terms.

With the development of internet and technology, now you will find end number of online courses that offer many learning courses. Certificates and the online courses do have the values but that should be legal and recognized. We just sent you an email. Please click the link in the email to confirm your subscription! OK Subscriptions powered by Strikingly. Return to site. Additional: iBooks versions are available via the iBooks Store The newer Logic Pro X Logic Pro X 10 Tutorial Generally, any accredited degree offered by an institution of higher education certified as such within in a major country will be recognized as a valid degree.

Are online classes easy? Can online classes start anytime? Alternative To Pixlr. Return to site Powered by Strikingly. The powerful Compressor features a fully scalable interface inspired by the look and feel of legendary studio favorites.

Seven models provide a wealth of options. And the Histogram Meter view lets you instantly see the results of your parameters, controls, and knob movements. Add punch and presence to your bass, drums, synths, and guitar with this powerful multi-effect plug-in.

Seven effect blocks, including distortion, modulation, and bandpass filters, can be combined to dial up a range of sonic colors in your tracks — from mild sheen to thick, bass-heavy distortion. Versatile, scalable multiband EQ includes eight bands: highpass, lowpass, low and high shelving filters, and four flexible parametric filters.

The frequency analyzer provides a graphical look at your sound so you can quickly zero in on refining your performances. Choose from over included IR samples or create and edit your own. An intuitive hands-on graphic interface and the unique ability to synthesize dense reverbs make Space Designer equally suited to both sound design and music production. Ringshifter combines a ring modulator with a frequency shifter effect in a clear, compact interface.

The ring modulator mode adds a metallic or clangorous sound and the frequency shifter alters the frequency relationship of the original harmonics, resulting in sounds that range from sweet and spacious phasing effects to robot-like timbres.

Re-create legendary sounds and craft your own unique tones by mixing and matching 25 amp heads, five EQs, 10 reverbs, 25 speaker cabinets, and seven mics that you can position freely around the speaker cone. Classic American silverface and blackface combos. A full range of British stacks and combos. Ultra-high-gain metal stacks. And even rare amps that would be hard to find in the real world. Experiment with classic delays, echoes, and reverbs.

Run your signal through some of the most coveted overdrives and distortions. Try out dynamic pitch transposition or dive-bomb effects. Choose from all your favorite choruses, flangers, tremolos, and other must-have modulation boxes. Or turn up the funk with vintage and modern wahs or an octaver. The Pedalboard interface makes it easy to reorder and swap your pedals and to creatively route your signal for thousands of combinations and virtually unlimited sounds.

Lay down an amazing bass track with dead-on models of three vintage and modern bass amps and cabinets. To get the perfect tone, switch between two types of input channels. Swap out cabinets and amps. Position one of three mics on different speaker cones.

Or blend between amp and DI box signals, just like in the studio. You can also use graphic or parametric EQs to fit the bass in your mix. And easily level performance dynamics or sustain with a compressor before or after the EQ. The library is filled with modern synth sounds created with powerful instrument plug-ins like Alchemy and Sculpture.

Electronic musicians, enjoy your choice of pulse-pounding bass, stabbing synth leads, and pumping pads. The library offers a wide selection of pristine, dynamic-sampled acoustic Patches, including pop and classical pianos, fretted instruments, world instruments, and sounds from every section of the orchestra.

Add texture and color to your tracks with a wealth of ever-evolving and richly layered Patches. The Logic Pro Sound Library is perfectly suited for creating a soundtrack that evokes just the right environment or emotion. Add more to your music compositions with an ever-expanding variety of themed sound packs containing loops, presets, patches, Drum Machine Designer kits, and Live Loops grids. Ignite your creativity with a massive collection of instruments, loops, and samples — with newly added sounds created by some of the biggest producers in the world.

Logic Pro. Buy Logic Pro. Plug-ins and Sounds Logic Pro gives you a massive collection of plug-ins and sounds to fuel your creativity. Instruments Effects Sound Library. New Spatial Audio Create professional spatial audio mixes using enhanced surround plug-ins that add depth and movement to your tracks. Instruments Create amazing sounds using authentic re-creations of vintage equipment, powerful modern synthesizers, and complex multisampled instruments.

Quick Sampler Quick Sampler is a fast and easy way to work with a single sample. Looping Slicing Live Sampling.

Auto Sampler Auto Sampler lets you save hours by easily creating fully playable sampler instruments from hardware instruments, other software instruments, and effect plug-ins. Drum Synth This powerful but easy-to-use plug-in creates synthesized drum sounds.

Drum Machine Designer Redesigned to be more intuitive and integrated, Drum Machine Designer lets you effortlessly build electronic drum kits. Studio Kit Studio Kit. Brooklyn Kit Brooklyn Kit. Alchemy Alchemy, the ultimate sample-manipulation synthesizer, is the most powerful instrument in Logic Pro.

Fantasy Detroit Reflections Skyline Ascend. Studio Strings and Studio Brass These two realistic plug-in instruments feature sophisticated articulation controls. ES2 A versatile synthesizer that delivers sounds ranging from classic analog to modern digital.

Retro Synth Retro Synth. Vintage Keyboards Play authentically re-created models of the Hammond B3 organ, the Mellotron, the Hohner Clavinet D6, and the Fender Rhodes, Wurlitzer, and Hohner electric pianos — with all the character and quirks of the originals. Vintage Mellotron Mellotron Mellotron. Alien Language Alien Language. Bleep City Bleep City. Spacey Spacey. Classic Analog Classic Analog. Sculpture Sculpture is a unique physical modeling instrument that produces tones no other synthesizer can.

Effects Use plug-ins to help you perfect or manipulate the color and personality of your tracks. Remix FX Bring DJ-style effects and transitions to your tracks with a collection of stutters, echoes, filters, vinyl scratches and stops, reverse playback sounds, bit crushes, and gating effects. ChromaVerb ChromaVerb is a high-end reverb plug-in that uses unique modeling to reproduce both natural and otherworldly acoustic spaces.

Night Lights Night Lights. Almost Time Almost Time. Endless Highways Endless Highways. Vintage EQ Collection The Vintage EQ collection brings authentic re-creations of three of the most revered analog hardware EQs, with support for mono and stereo and control over analog saturation and heat.

Vintage Graphic EQ. Vintage Tube EQ. Vintage Console EQ. Step FX Add rhythmic movement to any track by arranging filters, effects, and independent step sequencers to create and control a wide range of treatments over time. Autonomous Flight Autonomous Flight. Transformation Transformation. Random Voltage Random Voltage. Backyard Party Backyard Party. Compressor The powerful Compressor features a fully scalable interface inspired by the look and feel of legendary studio favorites.

Phat FX Add punch and presence to your bass, drums, synths, and guitar with this powerful multi-effect plug-in.

Counterculture Counterculture. Binary Star Binary Star. Mixtape Mixtape. Channel EQ Versatile, scalable multiband EQ includes eight bands: highpass, lowpass, low and high shelving filters, and four flexible parametric filters. Piano Piano. Synth Riff Synth Riff. Ringshifter Ringshifter combines a ring modulator with a frequency shifter effect in a clear, compact interface. Dubstep Dubstep.

Ringshifter Guitar Ringshifter Guitar. Tech House Tech House. Amp Designer Re-create legendary sounds and craft your own unique tones by mixing and matching 25 amp heads, five EQs, 10 reverbs, 25 speaker cabinets, and seven mics that you can position freely around the speaker cone.

Stadium Stack Stadium Stack. British Stack British Stack. Pawnshop Combo Pawnshop Combo. Studio Combo Studio Combo. Tube Burner Tube Burner. Octave Dr. Wham Wham. Bass Amp Designer Lay down an amazing bass track with dead-on models of three vintage and modern bass amps and cabinets. Classic Amp Classic Amp.

 
 

 

Logic pro x effects manual pdf free.Logic Pro User Guide

 

Bass Amp Designer: This effect plug-in emulates the sound of famous bass guitar amplifiers and the speaker cabinets used with them. This chapter introduces the main working areas of Logic Pro, and presents some basic tasks to help you start working in the app. Logic Pro is a full-featured music and audio app you can use for every aspect of music creation: recording, arranging, mixing, and more—everything from sketching your initial ideas to producing polished final mixes.

You can use Logic Pro for any type of project, from simply recording yourself singing or playing all the way to complex multi-track, multi- section compositions. For a quick tour of the Logic Pro interface, see Get started with the Logic Pro main window, then choose topics from the list on the left that introduce specific features and working areas, with basic tasks to help you get started.

The first time you open Logic Pro, it downloads basic content, including software instrument presets and Apple Loops, that you can use in your projects.

After the download is complete, the Project Chooser opens so you can create a new project or open an existing one. To learn more about creating and opening projects, see Get started with Logic Pro projects. To hide the Dock, Control-click the area in the Dock between the last app icon and the Downloads icon, then choose Turn Hiding On from the shortcut menu.

You can access all of the major working areas of Logic Pro in the main window. The central part of the main window is the Tracks area. You record and arrange the musical material in your project on the tracks in the Tracks area.

There are several different track types, including audio, software instrument, and Drummer tracks. When you make a recording, or add an Apple Loop or other media file, it appears as a rectangular region on the selected track. Across the top of the main window is the control bar, which includes buttons that let you access different parts of Logic Pro, transport controls for controlling project playback, a Master Volume slider to adjust the overall project volume, and other controls.

In the center of the control bar is the LCD, where you can view the current playhead position, move the playhead, and set the project tempo, key, and time signature. To start working with audio tracks, see Get started with Logic Pro audio tracks. To start working with software instrument tracks, see Get started with Logic Pro software instrument tracks. To start working with your recordings and other material in the Tracks area, see Get started arranging regions in Logic Pro. A patch contains the instrument, effects, and routing settings that control the sound of a track.

When you choose a patch, those settings are applied to the currently selected track. The Library shows available patches for the selected track. You can choose a category on the left to see available patches or subcategories on the right. In addition to patches, you can view and select plug-in presets and other settings in the Library, when the corresponding item is selected.

For information about choosing patches and other items in the Library, see Logic Pro patches overview. The available inspectors and parameters change, depending on which working area has focus, and what is selected.

The channel strips for the selected track and its output appear in the lower part of the inspector, so you can view and quickly edit channel strip parameters and plug-ins. The Quick Help area at the top of the inspector shows a brief description of whatever part of the Logic Pro interface you move the pointer over. Some Quick Help descriptions contain links to more detailed information.

For information about editing region and track parameters, see Logic Pro Region inspector and Edit Logic Pro track parameters. When you open the Smart Controls pane, you see the screen controls for the the selected track. Screen controls can control both channel strip and plug-in parameters, including software instruments and effects. Move the knobs and other screen controls, and hear how sound changes. For more information, see Logic Pro Smart Controls overview. The Mixer shows the channel strips for every track in your project, including auxiliary and output channel strips, and the master channel strip.

This makes it easy to see and adjust relative levels and other track settings. You can adjust the level and pan position of each channel strip, insert instrument and effect plug-ins and edit their parameters, mute and solo tracks, and send the output to auxiliary or output channel strips.

To start working in the Mixer, see Get started with mixing Logic Pro projects. For more information, see Overview of mixing in Logic Pro. The available editors depend on the type of track or region selected. In the Audio Track Editor, you can copy, paste, move, trim, split, and join audio regions. You can also quantize and edit the timing and pitch of audio material using Flex Time and Flex Pitch.

You can add and edit notes and other musical symbols. You browse or search for loops in the Loop Browser, where you can preview them to choose the ones you want to use. For more information, see Apple Loops in Logic Pro. For more information about working with media files, see Using loops and other media in Logic Pro. When Show Advanced Tools is selected in the Advanced preferences pane, additional features, browsers, and editors are available.

A project is the document that contains all of your recordings, the media files you add, and all the edits you make. You start working in Logic Pro by creating a project or opening an existing one. You can create new projects and open existing projects.

Logic Pro includes templates and demo projects that you can use to try out the tasks presented in the following Get Started topics. Logic Pro also includes several tutorial projects that you can use to learn about features of the app by following steps in a hands-on setting.

In the Project Chooser, click Project Templates on the left, then double-click a template on the right. You can also create your own templates and choose them in the Project Chooser. Open an existing project 1. Open a tutorial project 1. In the Project Chooser, click Tutorials on the left, then double-click a tutorial project on the right.

In the Project Chooser, click Demo Projects on the left, then double-click a demo project on the right. For more information about working with projects, see Logic Pro projects overview.

For information about creating projects, see Create Logic Pro projects. Get started with project playback in Logic Pro You can play back the project at any time to hear your latest changes. You control playback and navigate the project using the playhead, the ruler, and the transport buttons, located in the control bar. The playhead extends from the top to the bottom of the Tracks area, and moves as the project plays, showing the currently playing point in the project.

At the top of the playhead is a triangle that you can drag to move the playhead to a different time position, or scrub the project by moving the playhead across the Tracks area to quickly locate a particular musical passage. At the top of the Tracks area, the ruler shows units of time in bars, beats, and beat divisions depending on the zoom level. The control bar contains a group of buttons called transport buttons that you can use to control playback, move the playhead, and start recording.

The transport buttons include the following:. The cycle area can be used for composing, practicing a part before recording, recording multiple takes, and other purposes. When you turn on the cycle area, it appears as a yellow strip in the upper part of the ruler. Start and stop playback In Logic Pro:. When the project is playing, the Go to Beginning button becomes a Stop button. Double-click again to stop playback.

Move the playhead In Logic Pro, do any of the following:. If the project is playing, playback continues from the clicked position. Each time you click Rewind, the playhead jumps back to the previous bar. Each time you click Forward, the playhead jumps forward to the next bar. In Logic Pro, click the Cycle button in the control bar or press C to activate the cycle area. Hold the pointer over either the left or right edge of the cycle area, then drag to resize it.

For iPad users, a separate app is available that you can use to navigate Logic Pro projects, and perform mixing, editing, and other functions, on your iPad. The Logic Remote app is available on the App Store. For more information about playback and navigation, see Play a Logic Pro project and Control playback in Logic Pro with the transport buttons.

For information about using the cycle area, see Use the cycle area in Logic Pro. Get started with Logic Pro project properties Each project has a set of properties, including tempo, key, and time signature.

The project tempo, key, and time signature are displayed in the LCD in the center of the control bar, along with the current playhead position. Changing the tempo can affect the playback speed of audio and software instrument recordings, Drummer regions, and Apple Loops, in the project. Key The project key defines the central note called the tonic , and whether the project uses the major or minor scale. Time signature The project time signature defines how musical time is divided into measures and beats.

The first number controls the number of beats in each bar, and the second number controls the beat value the note that counts as one beat. Changing the time signature does not affect playback, but does affect the units displayed in the ruler and the bars in the Score Editor. For more information about working with project properties, see Logic Pro project properties overview.

When Show Advanced Tools is selected in the Advanced preferences pane, you can add tempo, key, and time signature changes in a project. The recording appears as an audio region on the selected audio track, showing an audio waveform. You can arrange and edit audio regions in the Tracks area, and edit them in a close-up view in the Audio Track Editor. When you add a track, you can choose a patch for the track in the Library.

You can quickly audition patches to find the one you want to use, and change the effects for an audio track by choosing a different patch. Each audio patch contains one or more audio effects, and can include sends and other routing settings. Logic Pro includes a metronome, which plays a steady beat to help you play in time while recording. You can have the metronome play as you record, or only play a one-bar count-in before recording starts.

Add an audio track 1. In the Logic Pro toolbar, click the Add Tracks button. Click one of the two Audio icons at the top of the New Tracks dialog. If necessary, click the Details triangle to open the bottom of the dialog. Choose the audio device and input channel or stereo pair from the Input pop-up menu on the left. In the Logic Pro Library, click a category on the left. You can audition audio patches by clicking them, then playing your instrument, singing, or making sound, to find the one you want to use.

For more information about choosing patches, see Logic Pro patches overview. Prepare for audio recording Before you start recording audio in Logic Pro, do the following:. Record on an audio track 1. In the Logic Pro track list, select the header of the audio track you want to record on.

Click the Record button in the control bar or press R to start recording. After a one-bar count-in, recording starts. The recording appears as a new audio region on the track as you record. Click the Stop button in the control bar or press the Space bar to stop recording. For more information about recording on an audio track, see Overview of recording in Logic Pro and Record sound from a microphone or instrument in Logic Pro.

For information about connecting microphones and other audio devices, see Using audio devices with Logic Pro overview. Logic Pro features a complete library of professional-quality software instruments, including synthesizers and other keyboards, guitars, drums, world instruments, and more.

A patch contains the instrument, effects, and routing settings that control the sound of the track. You can change the sound of a software instrument track by choosing a different patch from the Library.

In the Library, you can also audition patches to find the one you want to use. You record a software instrument on a software instrument track in the Tracks area. The recording appears as a MIDI region on the selected software instrument track. You can have the metronome play as you record, or play only a one-bar count-in before recording starts. If your music keyboard has other controls, such as faders, knobs, or drum pads, try using them as well.

The new track appears in the Tracks area, and the Library opens on the left. You can audition software instrument patches by clicking them in the Library, then playing your music keyboard, to find the one you want to use.

Record a software instrument 1. Select the software instrument track you want to record to. The recording appears as a new software instrument region on the track as you record. For more information about recording software instruments, see Overview of recording in Logic Pro and Record software instruments in Logic Pro.

Audio tracks also feature an Input Monitoring button. The track headers are located along the left side of the Tracks area, so you can easily see the mute, solo, and other settings for all tracks while working. The Solo button turns yellow, and the Mute buttons of all unsoloed tracks flash blue. Click the button a second time to restore the track to its previous state. Option-click the slider to return it to a neutral level 0 dB gain.

The dot on the wheel indicates the current position. The corresponding buttons on all the swiped tracks switch to the same state.

For more information about working with tracks, see Logic Pro Tracks overview. For information about using the track controls, see Logic Pro track header overview. You choose a patch in the Library, which applies those settings to the selected track.

You can try out different sounds for the track by choosing a different patches, as long as the patch is compatible with the track type.

Patches can include one or more channel strip settings, and can also contain routing information auxes and metadata for Smart Controls and controller mapping. Patches for audio tracks can include default effects settings. Patches for software instrument tracks include an instrument plug-in as well as effects settings.

The patches displayed in the Library depend on the track type. For example, when an audio, software instrument, or Drummer track is selected, patches for that track type are available. Choose a patch for the selected track 1. In Logic Pro, click the Library button in the control bar or double-click the track header to open the Library.

Choose a patch category from the list on the left, then choose a patch from the list on the right. You can quickly move through the patches in the list using the Up and Down Arrow keys. You can search for patches by name in the Library, edit patches by changing channel strip settings, adding plug-ins, or editing plug-in parameters, and save your own custom patches.

Get started arranging regions in Logic Pro The Tracks area is where you arrange the recordings, Apple Loops, and other musical material in your project, organizing them into sections such as intro, verse, and chorus to build an arrangement. The Tracks area shows a visual representation of time moving from left to right.

You build a project by arranging regions in rows called tracks, that run horizontally across the Tracks area. Regions appear as rounded rectangles in the Tracks area. There are several different types of regions, depending on the track type. The two primary region types are audio regions, which show the audio waveform, and MIDI regions, which show note events as thin rectangles.

You can arrange regions in a variety of ways in the Tracks area, by moving, looping, resizing, splitting, joining, and deleting them. Try following the tasks below, using regions in the project.

Move a region In Logic Pro, do any of the following:. Resize a region 1. In the Logic Pro Tracks area, move the pointer over the lower-right edge of a region. Drag the edge of the region horizontally to shorten or lengthen it. In the Logic Pro Tracks area, place the pointer over the upper-right edge of the region. When you drag the edge of the region out by its full length, rounded corners indicate the beginning and end of each complete repetition of the region.

Split a region using the playhead 1. In the Logic Pro Tracks area, select the region you want to split. Only the selected region is split, even if an unselected region on another track is under the playhead as well.

If multiple regions are selected and are under the playhead, they are all split. Split a region using the Scissors tool 1. When selecting a cut point with the Scissors tool, you can move backward and forward in steps of one division. The grid is based on the Snap pop-up menu setting.

For information about using Snap, see Snap items to the grid in Logic Pro. For more information about arranging a project, see Logic Pro Arranging overview.

For information about working in the tracks area, see Logic Pro Tracks area overview. A keyboard graphic along the left edge of the Piano Roll Editor provides an easy guide to the pitches of notes.

On the left are controls for quantizing the timing and pitch of MIDI notes, and editing their velocity. The header shows the name of the selected region, or the number of regions if more than one is selected , as well as the pitch and position of the pointer in the region. Note: You can change the note length as you add a note, by holding down the mouse button and dragging left or right. While you drag, a help tag shows the precise end point and length of the note.

Tip: It might sometimes be difficult to grab the corner of very short notes. You can use the Finger tool, which allows you to grab notes anywhere to alter their length, or zoom in for a closer view. The color of the note event changes and the horizontal line inside the event either lengthens or shortens. Get started with the Logic Pro Audio Track Editor The Audio Track Editor shows a close-up view of part of an audio track in the Tracks area, displaying the audio waveforms of the regions on the track.

In the Audio Track Editor, you can move, trim, split, and join audio regions, play a region in isolation, and edit regions in other ways. Edits you make in the Audio Track Editor are non- destructive, so you can always return to your original recordings. You can also quantize and edit the pitch of audio material in the Audio Track Editor using Flex Pitch.

When you choose a Flex Pitch algorithm, the contents of the audio track are analyzed for pitch, and the results are displayed as a pitch curve overlaid on the waveform. Along the top of the Audio Track Editor is a ruler showing time divisions, based on the time format chosen in the LCD, and a menu bar with local menus. The main area of the Audio Track Editor shows the audio waveform of the regions in the selected audio track. Trim an audio region 1.

In the Logic Pro Audio Track Editor, place the pointer over the lower-left or lower-right edge of the region. Drag the pointer to trim the beginning or end of the region. You can scrub regions to find the point where you want to cut by dragging across the regions with the Scissors tool. Before moving or deleting a segment of a split audio region, click to select it. Join regions 1. Select the split regions. Turn on flex in the Audio Track Editor 1. Open the Audio Track Editor by doing one of the following:.

Change the pitch of a note 1. When Show Advanced Tools is selected in the Advanced preferences pane, you can also edit the timing of individual notes, chords, or sounds in the Audio Track Editor using Flex Time.

You can also open the Audio File Editor to make permanent destructive edits to the source audio file for a region. You can choose from different genres, and choose different drummers in each genre. Each drummer has a specific drum kit and playing style. You can choose a drummer preset, edit drum settings to adjust the playing style, exchange drum kits, and choose individual drum sounds. To work with Drummer, you add a Drummer track to the project. A Drummer track is similar to a software instrument track, but it contains only Drummer regions, rather than MIDI regions.

Both track and region parameters can be edited in the Drummer Editor. In the Logic Pro toolbar, lick the Add Tracks button. Click the Drummer icon the drum kit at the top of the New Tracks dialog. A Drummer track is added, along with one 8-bar region. The Library opens, and a default patch is loaded to the track. Choose a genre and drummer 1. In the Logic Pro Library, click a genre.

The available drummers for the selected genre appear to the right of the genres. A preset consists of a number of region settings, visible to the right of the presets area. The farther right you place the puck, the more complex the sound becomes; the higher you place the puck, the louder the sound plays.

Choose a pattern variation for a drum or percussion instrument In the Logic Pro Drummer Editor, do any of the following:. Exchange a drum 1. The Exchange panel opens to the left if exchange pieces are available for that kit piece. Click the Info button of a selected kit piece to view its description. Click the kit piece that you want to exchange in the Exchange panel. You may need to scroll in order to find the one you want to use.

The piece is exchanged and the respective drum sound is loaded. Click anywhere in the plug-in window background to close the panels. You can click the lock to prevent any changes to the fills setting when switching presets or drummers.

Note: The presence of ghost notes depends on the chosen drummer and the complexity setting. Note: This is relevant only if the Hi-Hat is selected in the drum kit representation. Any changes or selections you make in the Drummer Editor affect only the selected region, not the entire track. Each Smart Control includes a set of screen controls that you can adjust to control the sound of the patch.

Smart Controls typically include EQ or tone controls, reverb and other effects controls, and controls specific to the type of track or instrument. For example, the Smart Control for a synthesizer might include screen controls for choosing the waveform and adjusting the resonance and filter cutoff, while one for a string instrument might include controls for changing the articulation. When you open the Smart Controls pane, you see the screen controls for the selected track.

Each screen control is labeled to make its function easy to understand. Each screen control has a text label indicating what aspect of the sound it controls. You can also change the layout for a Smart Control, save your own Smart Controls, map screen controls to channel strip and plug-in parameters, and assign controllers on your MIDI devices to screen controls. With Live Loops, you can play, arrange, and record new musical ideas in real time.

Each musical phrase or loop exists in a cell in the Live Loops grid. You can start and stop playback of cells freely, while keeping everything in sync with the beat and the project tempo. You can start using Live Loops with an empty grid, or choose a Live Loops template with a set of instruments and prerecorded cells from the Project Chooser.

You can also add regions or loops from the Tracks area to the grid, and record a Live Loops performance to the Tracks area. Create an empty Live Loops project 1. Choose a Live Loops template 1.

For more information about working with Live Loops, see the Live Loops overview. In the Mixer, each track has a channel strip that corresponds to its track type. You can also add effect plug-ins, change plug-in settings, and control the signal flow using sends and auxiliary aux channel strips. You can try out the following tasks using either the inspector channel strips or the channel strips in the Mixer. When you solo a channel strip, the Mute buttons of all unsoloed channel strips flash.

Choose a different plug-in In the Logic Pro Mixer, do one of the following:. For more information about channel strip controls, see Channel strip controls in Logic Pro. Get started with Apple Loops in Logic Pro Apple Loops are prerecorded musical patterns that you can use to quickly add drum beats, rhythm parts, and other musical phrases to a project. Apple Loops contain musical patterns that can be repeated over and over, seamlessly.

After you add a loop to the Tracks area, you can extend it to fill any amount of time. When you add an Apple Loop to a project, it automatically matches the project tempo and key. Apple Loops are available in a variety of instruments, genres, and moods in the Loop Browser. You can also convert Drummer loops to software instrument loops by adding them to software instrument tracks, or convert them to audio loops by adding them to audio tracks.

Keywords with no matching loops are dimmed. You can adjust the preview volume, and choose a different key for the loop. After you add the loop to the Tracks area, you can drag it left or right to adjust the point where it starts playing. You can also search for loops by name, key, or time signature.

Get started with Smart Tempo With Smart Tempo you can record a performance without the metronome and have Logic Pro adapt the project tempo to match the tempo of the recording, or keep the project tempo and flex the recording to match it. You can create remixes using audio files and MIDI regions with different tempos that all conform to the project tempo, or adapt the project tempo to the tempo of an imported audio file or MIDI region.

You can also use Smart Tempo with multitrack audio recordings. You can set the default Project Tempo mode for a project in the Smart Tempo project settings. In the Logic Pro Tracks area, select the audio region. It also follows any changes to the project tempo. You can view and edit Smart Tempo analysis results in the Smart Tempo Editor, including beat markers and other tempo information. After you record an audio or MIDI region or import a file using Smart Tempo, you can refine the tempo analysis and correct any tempo detection errors to define the musical intent more accurately.

When Adapt is the Project Tempo mode, tempo and time signature changes are transferred to the project tempo and time signature tracks. You can make quick tempo, beat, and timing adjustments, or make more complex edits to the tempo information for a single beat, a selection, or the entire file or region. If you have a SoundCloud account, you can share a project to SoundCloud, choose the quality and visibility level, and set permissions for the shared project from within Logic Pro.

Share the project to your iTunes library 1. To rename the shared file, select the name in the Title field, then enter a new name. Type artist, composer, and album information for the shared file in the respective text fields.

Choose the quality level for the shared file from the Quality pop-up menu. When you share a project to iTunes, the entire project, from the beginning to the end of the last region, is exported. Any silence at the beginning or end of the project is trimmed. If Cycle mode is on when you share the project, the part of the project between the start and end of the cycle region is exported.

The shared project appears in the iTunes library, where you can add it to playlists, convert it, or burn it to a CD. The format of the shared project is determined by the iTunes import settings. To rename the shared file, select the name in the File name field, then enter a new name.

Choose the quality setting for the shared file from the Quality pop-up menu. The entire project, from the beginning to the end of the last region, is exported. Share a project to SoundCloud 1. Projects must have a title in the Title field. The remaining information is optional. To return to Logic Pro without sharing the project, click Close. For details about sharing your projects, see Overview of sharing in Logic Pro. Logic Pro is a powerful, full-featured music app with all the tools you need to create professional-quality music productions.

You can record, arrange, and edit audio and MIDI regions, add high-quality effects, mix your music in stereo or surround, and export the final mix in a variety of formats for distribution. Using Logic Pro you can create many different kinds of projects, from simple songs to complex ensemble arrangements. Logic Pro gives you the flexibility to customize the app to suit your way of working.

You can also play and record third-party Audio Units software instruments. You can also define sections of the project and quickly rearrange them using arrangement markers. You can record automation changes in real time and edit them later. Use markers to define and quickly move to different sections of a project. Logic Pro workflow overview To give you an idea of the possibilities, some major steps in putting together a Logic Pro project are described below.

You could, for example, go all the way through mixing and adding effects, then add more recordings or media files to your project before finalizing the mix and sharing the finished project. Create a project You start working in Logic Pro by creating a new project to hold your musical material and all the changes you make. You can add tracks for your recordings and for media files you want to add to the project. Media files and other assets can be saved in the project, or referenced in their current location.

Record your material Add musical material by recording your performances in the Tracks area. You can record vocals, instruments, and other sounds on audio tracks. Using a USB keyboard or other MIDI controller, you can play and record a wide variety of software instruments on software instrument tracks. Apple Loops are prerecorded audio and MIDI files optimized to create repeating patterns that can be extended to fill any amount of time.

You can also add audio files, movies, and other prerecorded media files to a project. Recordings, loops, and other media files appear in the Tracks area as regions that you can can copy, move, resize, loop, and edit in other ways. You can also use arrangement markers to define and easily rearrange entire sections of a project.

For audio regions, you can also precisely edit the timing of individual notes and other events using Flex Time, and adjust the pitch of notes using Flex Pitch. You can also edit Drummer regions in the Drummer Editor. Mix and add effects As your project takes shape, you mix it to balance the individual parts and blend them into a cohesive whole. In the Mixer, you can adjust volume levels and pan balance positions of tracks, and use routing and grouping to control the signal flow.

Logic Pro features a set of professional-quality effects plug-ins that you can use to enhance particular song components and create a polished final mix. You can control changes to mix, effects, and other parameters over time using automation.

Make global changes You can manipulate different aspects of an overall project using global tracks, including the Arrangement track, Marker track, Signature track, Tempo track, and Transposition track. For movie projects, you can also access the Movie track to view video frames and synchronize them with musical events. Share your project When your project is ready to share, you can export a stereo file of your final mix in one of several standard audio file formats.

You can also produce multiple stem files, formatted for most common surround encoding schemes. The main window is organized into different areas to help you focus on different aspects of your project, such as recording, arranging, and mixing. Buttons in the control bar show or hide different areas of the app. You can customize the control bar to suit your way of working.

You can show and hide the toolbar to optimize available screen space. The available parameters change depending on the area in which you are working, and what type of item is selected. You can view and edit channel strip controls, customize routing options, and add and edit plug-ins in the Mixer.

You can show or hide different areas as part of the main window. Some can also be opened as separate, movable windows. You can also open multiple instances of the main window, and configure each one differently. The main elements of the Tracks area include:. The ruler lets you align items in the Tracks area and mark project sections, and has additional uses for various playback and recording tasks. The workspace is the primary area for recording and arranging audio and MIDI regions. You can use the playhead to help align regions and other items, and for editing tasks, such as splitting regions.

There was a problem filtering reviews right now. Please try again later. Verified Purchase. Also, no index in a book that is supposed to be a reference to a multifaceted, complex program?

Very useful! This graphically enhanced manual really is superior to anything I’ve ever tried to read in the realm of a software tutorial book. Edgar explains things really well and the use of the numbering system to bring you exactly to where in the graphic the words on the page are describing is really a wonderful tool.

I would encourage Edgar in the future to use different shapes and colors for these link symbols. The book I purchased utilizes numbers 1 thru whatever may be necessary in a black circle. It is sometimes difficult to find the number in the graphic and perhaps if different colors or shapes were used that might be easier but this is still a 5 star book. This book is far and away the best explanation of Logic Pro that I have found.

Logic has the deserved reputation for being a powerful but obscure program, especially to non-professional musicians like me. The book begins with an explanation of Logic’s architecture using an excellent analogy, and I found understanding the architecture to be key to understanding Logic’s multifaceted and obscure UI.

While this old document has many typos, it is also an excellent description of how Audio Midi Setup works, especially with regard to Network MIDI connections. After many attempts to get it working, Edgar’s explanation helped me understand the architecture of this as well. Get this book, and get the MIDI description from his website. You won’t regret it. I must say, these GEM books are amazing, so much better than all the other Logic books that I’ve seen that just explain one feature after another and are often very dry to read through.

Their visual approach is more engaging and I actually understand the features and functionality and can implement them right away. This makes the learning process so much easier, and there is a lot to learn.

If you want to learn Logic I can highly recommend this book. I’m in the process of switching from DP to Logic and came across these books in the Graphically Enhanced Manuals series. One thing I realized right away are all the graphics and diagrams that you usually don’t find in a typical user manual for software apps.

I know how a sequencer works, but I had to find out how Logic works differently than the one I’m used to. Those diagrams make it very clear and I’m up and running in no time. Its visual!! This is the way to learn an app. Highly recommended. This is truly an amazing book and a new way maybe the best way of learning Logic. All these graphics and diagrams make this app so much better to understand than just reading through the usual manuals with plain text and the occasional screenshots.

With every chapter you gain the knowledge to take the next step. I was amazed how much information and detail I found page after page, even in the introduction chapter. A very pleasant and satisfying experience, highly recommended. This book provides an amazing approach to a very complex subject. The visual approach is perfect for a computer based music program, because it is a totally visual interface.

Thanks to Edgar for this time and energy “writing” this book! But not what I thought I was getting. This book is fantastic for someone that wants to know exactly what is on the software and how it works. But it does not give you step by step instructions on how each to use the individual applications of the program. Such as how to record your own voice and create harmonies.

Which is what I was hoping for. That information will hopefully be in the follow-up book. Which is set to be released soon. I hope. So if you want to know the behind the scenes of everything you can click on, I highly recommend this book. See all reviews. Top reviews from other countries. You don’t need an iPad or iPhone to read the iBooks, you can use the iBooks app on your Mac and you still have all the interactivity.

Just download the the free book samples to experience for yourself. BTW, thanks for buying my books. I really appreciate it.

Attached Thumbnails. The current help is available on the web. To find the current help, you just do that from Logic Pro X. Once you get the URL, you can use your Samsung tablet or any mobile device. As you can see I’ve pointed out it says In this example, You usually change documentation on the first two numbers, Thanks for the tip but it looks like this is the same as the Web link on the Apple support page. For some reason that doesn’t seem to work for me either.

The contents menu pops up but the disclosure triangles don’t work so it’s impossible to navigate from topic to topic. This could just be an issue with my browser but chrome is pretty popular so you would think it would be supported. Maybe it’s just user error as well but that is why I want a pdf because I don’t want to be dealing with Web browsers at all.

I just want something that I can read like a book, not a tangle of Web links. If you go here. Note: Click Load more results to see the Instruments and Effects. Edgar, I just finished your free automation book and I really liked it. I am definitely sold on your series but I have a quick question before I buy the next installment. Does the “Details” book overlap with the “how it works” book or is entirely different material?

I’ve been using Logic for a couple of years so I am pretty good at doing things in my own way. My problem is that I find I am doing some things the hard it feels like. I am wondering, do I need to get both books or should I just go straight to the “Details” since I already have a lot experience in Logic? Also, thanks again for the pdf link, but I was wondering, do you also have links to the old instruments and effects pdf’s from that time?

Thanks for your time and help. It is a continuation with all the remaining features of Logic that I haven’t covered in the first book. They are useful for any user level, because I introduce each topic in case a user is not familiar with it. A user can implement any of those trips, trick, features into any workflow right away. I often get response from customers that they say they are experienced Logic user, but they still found information in my book that they didn’t know in Logic.

How about the following challenge which is only for you and not for the public in general. I have a copy of it so I went to this URL and put in the following that you see in the image, then clicked on Search. Click on it to get the PDF. EdgarRothermich I think the value of an old fashioned index is that unlike a boolean search it lets the author create useful semantic links. For instance, the index entry “tracking” could take you to sections on recording audio and other sections on recording MIDI, even though the word “tracking” might appears in neither.

Make sense?